237130_Wk7_Task#2_Seeing the World_World Views

Ideologies are what make up our world views. Visual texts are used to capture these ideologies, but the ‘myth of photographic truth’ can mean that the perception of these ideologies change between the point a text is made available for viewing by the creator, and the point it is viewed and interpreted by an audience.  This means that our perception of an ideology- and therefore our world view – is easily warped and manipulated.
The producer of any visual text is likely to be someone who has access to the many modern technologies made available to Western cultures in the present day. Therefore the producer is likely to create a text that conforms to Western ideologies and enforces the dominate Western world view upon the viewer of the text. The viewer of this text may not be a Westerner, however, which means they will interpret the text differently from someone who has had direct experience with the ideologies depicted by the text. It is in this way that the meanings of visual texts are changed.

References:

Stachl, Erna. 237.130 Communications in Creative Cultures: Week 7 lecture.

Wellington, New Zealand: College of Creative Arts, Massey U. 27 April

2016. Slideshow and lecture. 17 May 2016.

Whyte, Dick. 237.130 Communications in Creative Cultures: Week 7 lecture.

Wellington, New Zealand: College of Creative Arts, Massey U. 27 April

2016. Slideshow and lecture. 17 May.

Advertisements

237130_A2_Wk4_Task#3_Part A_Set Reading_Written Response_A response to ‘The Changing World’ (Chapter 6 of Mirzoeff)_25/04/16

‘The Changing World’ requires us to acknowledge the current state of the environment that has resulted from the interference of mankind. Mirzoeff asks us to “see the Anthropocene” (Mirzoeff 219); to recognise the damage we have done unto the Earth. He proposes that we adopt a broad, worldwide view (Mirzoeff 237, 253) in order to comprehend the way our actions affect not only the select environments we inhabit as individuals, but also the environments inhabited by other people in other parts of the world.
It is vital that we do this; the future of our Earth depends on it. Currently we are living in a state where denizens of a certain place only concern themselves with dilemmas of nature that affect them directly. For example, the palm oil industry in Brazil employs ‘legal deforestation’ in order to establish plantations, which decreases bird populations and increases carbon emissions (Watsa). This issue goes almost unrecognised in New Zealand, and we are doing very little to help prevent this. However, this will undoubtedly affect us in the long term… carbon emissions increase climate change, which affects the entire Earth.

monet-impression-sunrise
Monet, Claude. Impression: Sun Rising. 1873. Oil on canvas, 48 x 63 cm. Musee Marmottan Monet, Paris. “Impression: The Sunrise (Impression: soleil levant) by Claude Monet”. Monetalia. Alvilim. 2006. Web. 15 May 2016.

Monet’s ‘Impression: Sun Rising’ aided in my understanding of how to “see the Anthropocene” (Mirzoeff 219).  This image clearly exemplifies the obvious human changes made to Earth in its natural form. The focal point of the image should be the vast and beautiful expanse of ocean that occupies the lower half of the painting, but instead our eye is drawn to the rowboat in the foreground, the steamers to the left of this, and (most predominantly) the smog that forms the upper half of the image.